64Watercolor landscape ideas, come to see my collection

64Watercolor landscape ideas, come to see my collection

The watercolor landscape gives us a  peaceful feeling. Nature and relaxing, focus on the beautiful point. 

Hue, brightness, and purity are the most basic color components.

Started to paint, and learn, kept on learning, drawing, and selling on the Internet. The form of selling paintings can be real paintings, electronic paintings, or home decored paintings, such as wallpaper or

1. Hue. It is the appearance of the color.

In visible light, human vision can perceive these different characteristic colors of red, orange, yellow, green, cyan, blue, and purple. We use the name of the color we see.

It is precisely because of these characteristics of colors that we can see the colorful world and create artistic works with paints, such as watercolor paintings, oil paintings, acrylic paintings, and so on.

In visible light, every color has its own wavelength and frequency, and they are arranged in order from short to long in order and harmony. The spectrum from nature, each hue emits primitive brilliance, and they form the basis of the color system.

2. Brightness. Is the sensitivity of color. It can be luminosity for the light source. All colors have attributes. Brightness is suitable for expressing the three-dimensional and spatial sense of objects.

3. Purity. It is the purity of color saturation, the degree of vividness, and grayscale. At the same time, there are vividness, density, color, and so on.

Adding white, black, and gray to any color will reduce her purity. Colors with high purity make people feel sensitive, and colors with low purity make people feel dull and heavy.

Purity embodies the character of color. The same color, the purity of the color changes, the character of the color will also change accordingly.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma. If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

If you want to draw bright, vivid, and high-chroma watercolors, it is best to use three or fewer pigments to mix, and the color harmony is also very important. For example, if you want to modulate a bright purple with high chroma, the color produced by mixing purple and red is much more vivid than the color produced by adding dark pink to purple.

The more water used in watercolor, the more transparent the color.

The chroma of the mixed color is very important. The so-called chroma refers to the degree of vividness of the color. The higher the chroma, the more vivid it feels. On the contrary, the lower the chroma, the muddier it feels. In addition, the more types of pigments are mixed together, the lower the chroma.

In visible light, every color has its own wavelength and frequency, and they are arranged in order from short to long in order and harmony. The spectrum from nature, each hue emits primitive brilliance, and they form the basis of the color system.

2. Brightness. Is the sensitivity of color. It can be luminosity for the light source. All colors have attributes. Brightness is suitable for expressing the three-dimensional and spatial sense of objects.

3. Purity. It is the purity of color saturation, the degree of vividness, and grayscale. At the same time, there are vividness, density, color, and so on.

Adding white, black, and gray to any color will reduce her purity. Colors with high purity make people feel sensitive, and colors with low purity make people feel dull and heavy.

Make colors have a sense of flow, warm colors have a dull feeling, light colors have a brisk feeling, and dark colors have a slow feeling.

Purity embodies the character of color. The same color, the purity of the color changes, the character of the color will also change accordingly.

If you love painting, just strat it, and keep painting.

Started to paint, and learn, kept on learning, drawing, and selling on the Internet. The form of selling paintings can be real paintings, electronic paintings, or home decored paintings, such as wallpaper or decorative paintings. Start your business and turn your hobby into your own income. It is the happiest thing in the world.